How to Use Story Structure and Character Arcs to Write More Compelling Fiction
Today, we’re diving deep into some essential craft topics: story structure, plot, character arcs, and character development. These elements are inseparably linked, and understanding how they interact will elevate your writing.
How To Write An Emotionally Satisfying Resolution For Your Fiction Novel
The end of the story has one seemingly simple job–to satisfy the reader. Let them say, ah, now that was worth it.
The key to a great resolution is to allow for emotional resonance between the story, the main character or characters, and the reader.
So how do we do that?
First, let’s remember where we’ve been to better understand where we’re going. And keep in mind that a story is about one thing: showing an irreversible change in the main character, the situation, or both.
The story’s resolution begins right after the last climactic event and continues to the final page.
How To Write A Gripping Climax For Your Fiction Novel
The climax is a series of connected scenes that take us to the last dramatic change (big moment), where the protagonist and the antagonist (bad guy, bad situation, bad internal flaw) go head-to-head. Someone wins, someone loses, and because of this, our character’s inner journey is completed. After that, there’s no more story to tell.
This is a big deal. It’s rubber meet the road time, and the story will live on in the reader’s mind as an epic success or a floppy failure based on this moment.
No pressure, right? Ha!
How To Write An Effective All Is Lost Moment And Dark Night Of The Soul
The All is Lost is an action beat played out in a single scene or chapter that lands right at the 75% mark of the novel. This event shatters all hope of the protagonist reaching their main external objective. It closes out Act III in Four-Act Story Structure. In Three Act Structure, it’s also called the Third Plot Point.
As the name suggests, the All is Lost moment is your main character’s rock bottom emotional low point. They were so close to getting what they wanted, but now, because of this event, there’s no chance in hell they’ll recover, or so it seems.
Turning the Tide: How to Write a Powerful Act III That Builds to Crisis
I like to think of Act III in the Four-Act story structure (from the midpoint to the all is lost) as the time when shit gets real and stays real, and the hero fights with proactive energy and new information.
Things that occur:
Progressive complications and higher stakes. After all, there is no turning back for the main character.
The second pinch point, where the antagonist gives the main character a smack down and foreshadows the All is Lost Moment (the Third Plot Point in a three-act structure) and the story’s climax.
All is Lost: represents the Moment in the story where all hope is lost in the main character reaching the external story goal.
How To Craft A Solid Midpoint For Your Novel
The Midpoint is all about shifts.
It’s a significant moment, but that doesn’t mean it needs to be loud or aggressive. It can be subtle.
But something opens the character’s eyes to the bigger picture. This event will make the character stop and take stock of their situation and circumstances, and the personal stakes increase yet again because of this new understanding.
The Midpoint will change the trajectory of the character’s life in much the same way the inciting incident did, and the decision they make here will shape the rest of the story.
How To Avoid The Saggy Middle When Writing a Novel: The Pinch Point Discussion
How to avoid writing a saggy middle for your novel
The middle make up the vast major it of a novel. It’s a lot of ground cover, and my work with writers and my flailing has shown me that this is part of the story where things can get repetitive, drawn out, and bogged down. To put it simply: boring.
How can a writer prevent this?
Cue the Pinch Point discussion.
Why Story Structure Isn’t a Formula—And Why Every Writer Still Needs It
Story structure can make new writers nervous because they worry about following a formula. How can you be original if you are essentially following a recipe?
No need to worry, writer.
Story structure is in no way formulaic.
As Shawn Coyne, author of The Story Grid, puts it, story structure is form, not a formula.