How Writing Short Stories Can Make You A Stronger Novelist
The Write It Scared Podcast Stacy Frazer The Write It Scared Podcast Stacy Frazer

How Writing Short Stories Can Make You A Stronger Novelist

I've always been a little intimidated by short stories. Something about squeezing an entire meaningful journey into just a few thousand words felt daunting—especially when compared to the spacious freedom of an 80,000-word novel. But after chatting with author and editor Demi Michelle Schwartz, I realized I'd underestimated the incredible benefits that writing short stories can offer us as novelists.

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Are You Procrastinating or Percolating? How to Stop Beating Yourself Up for Not Writing
Mindset for Writers Stacy Frazer Mindset for Writers Stacy Frazer

Are You Procrastinating or Percolating? How to Stop Beating Yourself Up for Not Writing

We writers (and writing coaches) talk a lot about procrastination—how it creeps in as resistance, keeping us from doing our work. But sometimes, we mislabel what’s actually happening and then beat ourselves up for not making progress. That dawdling, that staring at the screen without typing, the Wordle break, the social media scroll, or the "just one more level" on Royal Match—what if that’s not procrastination at all?

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Live Pitching vs. Cold Querying Your Novel Submission—Which Path is Right for You?
Fiction, Publishing, Querying Stacy Frazer Fiction, Publishing, Querying Stacy Frazer

Live Pitching vs. Cold Querying Your Novel Submission—Which Path is Right for You?

If you’ve been in the trenches of traditional publishing, you know the struggle. But what if there was another way? What if instead of waiting endlessly for an agent to open your email, you could pitch your book directly to them—face to face?

That’s exactly what I sat down to talk about with Amy Nielsen—author, freelance editor, and literary agent with the Purcell Agency. She’s been on both sides of the publishing fence, and in this conversation, we unpacked the pros and cons of live pitching vs. cold querying

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How to Write Historical Fiction: Tips from Author Susanne Dunlap

How to Write Historical Fiction: Tips from Author Susanne Dunlap

How can a writer balance historical accuracy with compelling storytelling? And how much research is too much? Let’s dive into the craft of historical fiction with Susanne Dunlap, acclaimed author, writing mentor, and all-around historical fiction powerhouse. 

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5 Key Questions to Help You Define Your Book’s Genre
Fiction, Genre, Writing Craft Stacy Frazer Fiction, Genre, Writing Craft Stacy Frazer

5 Key Questions to Help You Define Your Book’s Genre

In this article, I break down five key questions to help you classify your book more easily, from defining the writing style and target audience to determining the story's world and time period. With examples ranging from a 1960s feminist protest to a time-bending, intergalactic adventure, I'll walk you through how these five questions shape genre decisions. 

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How to Use Mentorship as a Powerful Tool for Your Writing

How to Use Mentorship as a Powerful Tool for Your Writing

Have you ever felt stuck in your story development or draft, unsure of the next step, underwhelmed by the quality of your words, and simultaneously overwhelmed by the idea of actually finishing a novel that others might enjoy?

Yeah. I know exactly how that feels.

Working with writing mentors—people who helped me see my potential and guided me through the twists and turns of the creative process—was a game changer for me.

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How to Decide if You Should Stick with Your Writing Project or Start Something New
Writing Craft Stacy Frazer Writing Craft Stacy Frazer

How to Decide if You Should Stick with Your Writing Project or Start Something New

Is it shiny object syndrome or should you actually be writing something else: What to do when you feel like you are at a creative crossroads.

It never fails—at least for me and many of the writers I work with—that at some point during the process of planning, drafting, or revising a novel, we get the itch to walk away. And I don't mean take a break for a week. I mean shelve the entire thing, bury it in a drawer for an undetermined amount of time, and focus our creative energy elsewhere. 

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How to Write a Horror Novel that Satisfies Readers
Writing Craft, Horror, Genre Stacy Frazer Writing Craft, Horror, Genre Stacy Frazer

How to Write a Horror Novel that Satisfies Readers

Even if you don’t write horror specifically, understanding this genre will make you a better storyteller.  Horror is a genre that transcends, crosses literary lines, and many of the novels we love today blend in elements of this incredibly versatile storytelling machine. Not only does horror transcend, but it exists on a spectrum: from the cozy, quiet creep to full-on, in-your-face slasher/splatter gore.

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How to Write a Seamless Flashback In Your Fiction Novel
Writing Craft, Writing Flashbacks Stacy Frazer Writing Craft, Writing Flashbacks Stacy Frazer

How to Write a Seamless Flashback In Your Fiction Novel

Flashbacks are a mainstay of commercial fiction, especially in the suspense and romance genres. When done poorly and placed improperly, yes, they are painful to read. But here’s the secret…when you learn to write a flashback well they become a fluid part of the narrative. You don’t even notice them—and really, that’s the goal.

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The Art of Crafting Remarkable Middle-Grade Fiction with Janet Fox

The Art of Crafting Remarkable Middle-Grade Fiction with Janet Fox

Do you have an idea for a middle-grade novel, or know a writer that does?

Wonder where you should start, how long the story should be, or what the middle-grade audience is actually interested in?

If you said yes to any of those join me as I dive deep into the intricacies of writing for middle-grade fiction with author and book coach Janet Fox in this week’s podcast.

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Show, Don’t Tell: How to Make Your Fiction Come Alive
Story Development Stacy Frazer Story Development Stacy Frazer

Show, Don’t Tell: How to Make Your Fiction Come Alive

“Show don't tell,” is probably the most common and most frustrating piece of feedback a new writer receives. When I started writing fiction, I scratched my head at this statement. What the hell did that mean?

That's today's aim friends: to dig deep into the meaning of show vs. tell.

What is it about reading a good book that makes us love it? It is the story? The characters? The writing?

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